CAST Gallery

Image: Tom O'Hearn, Learning to Love Myself, 2006, silkscreen on canvas
26/10/2007 - 30/11/2008
This is not a print show

This is not a print show deals with contemporary innovative art practices that challenge traditional notions, format and use of the print. It is driven by an interest in the evolution of printmaking practice since advances in digital technology, and through the challenges brought to the medium by concept driven (as opposed to discipline specific) art practices. Six contemporary Australian artists are showcased in this exhibition, each bringing with them a range of techniques as well as reflections on the world around us.

Traditionally, the function of a print was to inform and educate the masses. Over the years printmaking has transformed into more than an education or advertising tool and is now valued as highly as other art forms such as painting or sculpture.

Location
Plimsoll Gallery - original venue
Curator's statement

The unique relationship that print has to technology has seen it develop as a highly adaptable form of expression with the capacity to reinvent itself throughout every age. It remains a powerful and prolific means by which to reach an audience and continues to play a critical role in facilitating education, instigating change, inciting revolution, or exercising control.

As print continues to occupy a dynamic position at the interface of art and life, it is therefore not surprising to find the artists in this exhibition have chosen to exercise their respective social, political, cultural and environmental concerns through the medium of print. Formal choice here is not merely symptomatic of the training each artist has received, but integral to the conceptual premise of each of their work.    Dr Karen Lunn

Images
Mohd Fauzi Sedon, Iced donuts, 2006, arylic silkscreen on plastic film and paper
Neil Emmerson, The Dream, 1997, laser-cut acrylic, lithography on tarlatan
Belinda Fox, Double-Take, 2007, lino print, hocking, mdf
Jazmina Cininas, One Wolf Girl Battles Against All Mankind, 2007, reduction linocut
Alexis Beckett, Captured, 2003/4, glass domes baked with silk screened decal, plastic and wooden bases, black acrylic paint and gold instant lettering