Mr Clevver* is a traveling art project, on a journey to places like Nowhere Else, Hell's Gates, Paradise and other settlements throughout remote Tasmania during summer 2011.
CAST has commissioned UK artists, Heather and Ivan Morison, to work with Tasmanian artists and the Queenstown community to develop this unique project. Known internationally for their exploration of site specificity, the Morisons with the Mr Clevver project bring together a concept of moving art with the medieval forms of puppetry and minstrelsy – and in the current technological age.
Mr Clevver, a traveling sculptural artwork in the form of a puppet theatre, is on an unhurried tour of the less-traveled side roads and small rural settlements in western and north-western Tasmania. Moving slowly through the landscape, Mr Clevver uses only the spectacle of an un-fashioned 1960s truck drawing a hand-built humpy and the ‘bush telegraph’ to attract locals to their shows. Word of mouth will signal the company’s arrival at rural settlements, where they will make camp and spread the word that a performance shall take place the next day. A troupe of puppeteers (Tasmanian artists, Andrew Harper and Pip Stafford) represents ‘the outsider’ visiting town unannounced. They also give entertainment, provide insight through myths and stories and find new stories to become a part of the show. Working with the Morisons, the artists will perform puppet shows that blend factual recall with fiction, merging information into a narrative that builds on the mythology of their own lives and also the lives of people they encounter.
Over recent years the Morisons have been creating a series of buildings, vehicles and structures they call ‘Escape Vehicles’. These works explore the desire to escape the restrictions and dissatisfactions of the modern world along with a (subconscious) desire for the cataclysmic – evidenced by the interest in the visioning of disasters in popular culture. The Morisons have been writing puppet plays and making puppets as part of their recent practice. In their plays, the puppets weave fictional narratives around actual elements of the artwork to offer a disturbed mythical perspective. The Tasmanian puppets will be hand-made along the journey from earth and other found objects, and the stories they play out will be collaged from threads that run through the Morisons' practice and the curious narratives of Tasmania. Out of its time, part medieval part futuristic, Mr Clevver is an evolving work about the coming together of different people in differing places.
* Mr Clevver is based on a character from the post-apocalyptic novel, ‘Riddley Walker’ by Russell Hoban, first published in 1980.
Heather Peak was born in Desborough, UK in 1973 and Ivan Morison was born in Nottingham, UK in 1974. They represented Wales at the Venice Biennale 2007 and are represented by Danielle Arnaud Contemporary Art, London and Clint Roenisch, Toronto. Previous projects include ‘The Black Cloud’ (Victoria Park, Bristol, UK, 2009), ‘Journée des Barricades’ (One Day Sculpture, Wellington, New Zealand 2008) and ‘I lost her near fantasy Island. Life has not been the same.’ (Situations, Bristol, UK, 2006). In 2005, the Morisons acquired a site of ancient and mature woodland in north Wales which they are developing into an arboretum. They live in Arthog, North West Wales.
Tasmanian artists Andrew Harper and Pip Stafford will work with the Morisons on this project; each of these early career artists has an interdisciplinary visual arts practice with a background in performance.
Queenstown and traveling the hinterlands of Tasmania
CAST has commissioned UK artists, Heather and Ivan Morison, to develop a unique project working with Tasmanian artists and the Queenstown community. They were selected as the first project in CAST’s International Art Program because their practice is collaborative and has as its hallmark high-levels of engagement with local artists and communities.
In 2008 the Morisons traveled through Tasmania to research the island and meet with local people to develop ideas for the project.
This project has been generously supported by -
Australia Council for the Arts, Arts Tasmania, Tasmanian Regional Arts, British Council, LARQ and the West Coast Council.
































