CAST Gallery

In the modern environment, we are constantly looking at many things at the same time. With particular interest, I focus on the multiple in components and overall structure of modern buildings, concrete forms, industrial and commercial types. I wonder how all the similarities that we see condition the speed of modern life and effect how and what we see.

My aim is to create artworks that propose alternate physical perspectives through the physical and visual experience in the perception of space. To forward an idea of an alternate visual and physical experience of the modern built environment. To review the multiple in my artwork not as a beginning or an end but as a moment in time and space, an unfolding structure.


Focusing on the qualities of form, surface, colour and light, my art practice converses both mediums of photography and painting to create awareness and experience of time and space. Through noticeable physical changes in both surface and material arranged through the geometric, I propose a different way to look at the geometric form.

Through the process of looking and experiencing the physical material of the artwork, I aim to invert a neutral experience that might discourage a closer engagement with the artwork. Slow that process down extend the perception of time and space through simple components of repetition, a limited colour palette, the painted mark, a reading that takes time and is engaged through space and the materiality of the surface.

In this series of works Potential for Difference series 1-3 and the smaller stacked version I created for this show at CAST , I consider how the arrangement of my photographs effects their viewing experience.

By  directing the reading of these photographs away from a pictorial translation of space and re-direct that reading through the actual material of the photograph, cutting into it, experiment with its proximity to the wall

These repeated sequences extend the viewing experience not only by similarity but more importantly by differences revealed.
Differences that are not drawn from the image of the photograph itself but from the material construction of the artwork, which on close inspection is not as accurate as it seems from a distance.

Difference through repetition became a way to produce a viewing experience through the material and process of an  artwork over time and space.