image:
Tom O'Hern
Pornography propaganda and pay per view 2006
Screen print on wall
From Corrupting Youth, curated by Tristan Stowards
under the 2006 Emerging Curator program.

 

CONTENTS

CAST News

Program News

Touring News

Noticeboard

SPARK 2006 applications now open

Sculpture by the sea

Proposals invited for the 2007/08 Carnegie Gallery program


City of Perth photomedia award

Jan van Eyck Academy

Vermont studio centre international residency

2007 Anne and Gordon Samstag scholarships

Tas Regional Arts fund

APBS Current public art comissions


Flower Cut Film Festival

Fleurieu Penninsula Art Prize


Womens eye on peace 2 photography exhibition

24 Hour Art - Call for proposals

 

PLEASE NOTE

CAST's Annual AGM will be held at 6:00pm on
Thursday 20 April 2006 in the CAST Boardroom at 27 Tasma Street.

Forms to nominate for the CAST Board can be downloaded here.

Proxy forms to enable another CAST member to vote on your
behalf (if you are unable to attend) can be downloaded here.

 

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CAST News

You will notice from the forms downloadable from here and here that the 2006 Annual General Meeting for the company is scheduled for Thursday, 20 April.  Four positions for election will be considered at this meeting.  All currently paid-up CAST members are eligible to voting and for election.  One position will not be recontested after the completion of a maximum term of appointment by John Vella.  John's commitment and generosity to the organisation since commencing in March 2000 has been exemplary - beyond serving on various sub-committees and panels, he delivered Acidophilus at the TMAG last year and has 'pitched-in' on numerous projects, and he always, always had something strategically irreverent to say on any given subject.  (Thank you John.)

2006 is the third year that CAST will have benefited from additional funding support through the Visual Arts and Craft Strategy (VACS) delivered through the Visual Arts Board (VAB) and Key Organisations section of the Australia Council.  Along with Astrid Wootten, Director, Design Centre, Tasmania (the other Tasmanian organisation to benefit directly through VACS) I recently attended a meeting in Adelaide to evaluate the impact of the Strategy on the contemporary arts sector and to assist the VAB's application for continued funding after the current triennium ends in 2007.  Delegates representing the various sectors that make up the Australian contemporary arts field (Contemporary Arts Organisations Australia, CAOs; Australian Craft and Design Organisations, ACDO; National Exhibition Touring Support, NETS; Publishing organisations, Key Indigenous arts organisations, Major Art Events and Australian Media Arts Organisations, AMAO) each gave a paper identifying the positive outcomes of the Strategy on their organisations and their sector generally.  Against the expected outcomes of VACS (a network of stronger and more responsive art and craft organisations; new opportunities to tour major contemporary visual art and craft exhibitions; increased support for Indigenous artists; increased support for art and craft publications; improved market exposure and sales opportunities; and greater opportunities for public engagement with visual arts and craft) delegates invariably identified not only the attendant relief that increased funds gave to individual organisations - and particularly for smaller organisations with small increases - but, more importantly, they identified the stability that the Strategy injected across the sectors who, prior to the Strategy, were struggling in a rapidly changing environment of increased technological and presentation expenses, increased professionalisation of the workplace, and other exponentially increasing expenses such as freight and insurances.  The Strategy also enabled organisations to invest more resources into the actual delivery of their programs.  CAST has trebled direct payments to artists, increased curatorial and publications activity as well as increased program presentation expenses (by 15%). Ultimately, audiences and artists measure an organisation through its presentation values and outcomes, and audiences generally have little understanding of the limited resources with which most contemporary arts organisations operate.  The Adelaide meeting clearly argued that without continued VACS support, the infrastructure for contemporary art practice and presentation in Australia would suffer markedly.

The meeting also acknowledged the strong commitment of Rupert Myer, who prepared the Report of the Contemporary Visual Arts and Craft Inquiry and who lobbied hard and effectively for the implementation of the Strategy after the Report was presented to government.

The recent re-election of the Lennon Labor Government augers well for the state's most significant arts infrastructure - the facilities of the Tasmanian Museum and Art Gallery.  Labor's pledge to tackle the heritage issues and the upgrade of the suite of important colonial buildings on the TMAG's city site (including a full conservation assessment, archeological works, the development of a master plan to make these buildings useable for exhibition and public access - plus the funds for the replacement of the maligned 1960s building) is a welcome and much needed investment for the arts in this state.  The election will also give our sector a new Minister for the Arts (unknown at the time of writing). Former Minister, Lara Giddings, a strong and active supporter of the artsin Tasmania, has been appointed to the portfolio for Health and Human Services.  May we soon shine again under a beneficence of kindly cultural gods.

Michael Edwards, Director

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Program News

The first two exhibitions for 2006 have both been very popular for different reasons. Experimenta Vanishing Point (Jan 27th – Feb 26th) was the second Experimenta exhibition we’ve had at CAST (House of Tomorrow, which was the first, was shown in 2004) and proved to have appeal not only for the techno-gadgetry minded but also for most arts practitioners. It presented some very polished works from Australian and international artists that went well beyond the new media chosen by them.

Corrupting Youth continues until April 2nd. This exhibition, curated by Tristan Stowards, CAST’s Emerging Curator for 2006, comprises works by Melanie Breen, Annika Koops, Lauren Olney, Tom O’Hern and Jane Tyler. Corrupting Youth has been popular, yes, because Tristan is a popular guy, but also because it contains the all-important three S’s; Sex, Shame and Stencil art! Seriously though, Tristan has done a great job tackling the touchy subject of social hypocrisy.

The next exhibition, opening on the 21st April will again be popular, primarily because it will show the work of 22 Tasmanian practitioners. making relations, curated by the multi skilled Suzie Attiwill (Program Director [Interior Design, School of Architecture and Design, RMIT University] independent curator, exhibition designer and writer) promises to be a real treat particularly for those interested in Tasmanian Craft/Design. She has been invited by CAST to curate this exhibition as part of a two year, Arts Tasmania funding initiative to promote Tasmanian Craft/Design.

 

As most of you are no doubt aware, there are few avenues for arts writers in Tasmania. CAST has been trying to find new avenues to encourage, not only those who might consider themselves arts writers, but curators (budding or otherwise) and artists who might just want to have their say in written form. STOCK will comprise of two parts; firstly an e-journal, attached to the CAST web site, and secondly a more formal hardcopy version to be published once a year. With the aid of Scot Cotterell, the e-journal should be up and running soon. In it’s electronic and hardcopy forms STOCK is primarily for and about Tasmanian artists. Its primary purpose is to provide some much needed feedback for artists; to encourage a conversational continuity of ideas between exhibitions and among artist’s practices. For those interested, keep an eye on the CAST web site for further updates.

From the 26th February to the 7th March I was in Bangladesh on behalf of the two Australian artists, Eliza Hutchison and Darren Siwes, asked by Asialink to participate in the 12th Asian Art Biennale Bangaldesh. Initially, I found that being alone in a heavily populated and polluted city like Dhaka very daunting, however, once provided with two English speaking guides, students from the Shilpakala Academy, interaction with the city and its culture became considerably easier; I was then able to soak up the atmosphere of the place and satisfy my curiosity about the local art scene. Coming from Hobart where haggling skills aren’t often required (except perhaps over budgets with Michael), negotiating with rickshaw drivers, and many others on a daily basis would have been almost impossible without help from my student friends.

Closer to the opening of the Biennale I was able to speak to many of the artists and delegates from various countries. This was immensely rewarding, there being such a diversity of approaches to the production of work – from Persian calligraphy to work from the inaugural Bhutanese contemporary art school.

Learning about the specifics of Bangladeshi culture and politics became fascinating and real in conversations with various people involved with the Biennale. Having read about the strong connection between the student body and political change I found it particularly revealing and disturbing that – due to constant political upheaval, beyond the control of the students – most art students take up to 8 years to complete a bachelor’s degree. So if you think time dragged at art school spare a thought for those Bangladeshi students.

 

Philip Watkins , Exhibitions Officer

 

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Touring News

We have an exciting program this year with several exhibitions being readied for tour, both nationally and within the state. The Plimsoll initiated exhibition, The Place Where Three Dreams Cross is now open in Ipswich having travelled from Geraldton WA and will tour to three more venues this year. The curator Bryony Nainby, has taken up the position of Gallery Program & Curatorial Officer at the Gippsland Art Gallery, Sale Victoria but is continuing to collaborate on projects in Tasmania.

Ellie Ray, curator of the exhibition Paper Moon, which is opening soon at Maroondah in Victoria, is currently acting Director at the Devonport Regional Gallery while Jane Stewart is on maternity leave.

The Dark Woods, an exhibition that received Visions of Australia funding, has finally finished touring throughout SA, QLD, NSW and Tasmania. The curators, Leigh Rigozzi and Sarah Howell both contributed to the success of this tour by travelling with the artists to each of the eight venues to conduct workshops and floortalks.

Karen Lunn and Milan Milojevic are co-curating the exhibition, This is not a print show, that looks beyond the traditional boundaries of print and will include artists such as Neil Emmerson, along with local artists Tom O'Hern, Fauzi Sedon.

Professional Development.

A reminder that we soon will be calling for applications for the 2007 Emerging Curator Program and the 2006 Craft Mentorship program

Under the Professional Development Program CAST Touring provides funds for the annual Emerging Curator Exhibition. This is a rewarding year for the successful applicant that not only culminates in an exhibition and production of a catalogue, but involves a variety of other opportunities to become involved in CAST’s activities. These include a position on our Gallery Programming Committee and a mentorship on the CAST board. It also provides many young artists with an opportunity to promote their artwork to a curator.

If you are interested in this year-long opportunity please call us at CAST to discuss you application.

The 2006 Craft Mentorship program will be conducted later this year as part of the ongoing Australian Government’s Young and Emerging Artists Initiative. The program provides funds to assist a young craft practitioner through a 12 week mentorship. This self-initiated mentorship provides a living allowance for the recipient and a mentor's fee for the duration of the program. We will be calling for applications in June so if you are involved in a craft-based practice and would like to apply, please call the CAST Office for more information.

 

Fiona Lee, Touring Officer

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Noticeboard

 

SPARK 2006 applications now open

SPARK is the Australia Council’s national mentoring program for young artists (18-26 years) in theatre, dance and visual art. Applications are now open and will close 6th of May 2006.

For more information and to apply, click here.

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Sculpture by the sea

Sculpture by the Sea is the largest and most popular sculpture exhibition in Australia, staged on the spectacular Bondi to Tamarama coastal walk in Sydney.  Artists are invited to submit proposals or completed works for pre-selection.

Application & entry forms can be downloaded here however please contact info@sculpturebythesea.com if you would like hard copies of the application form posted to you.  

Submissions should be sent to: Sculpture by the Sea, PO Box 300, Surry Hills, NSW 2010.

Closing date: 26 April 2006.

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Proposals invited for the 2007/2008 Carnegie Gallery Exhibition Program

The Carnegie Gallery presents an annual program of exhibitions which showcase contemporary art, craft and design; celebrate cultural diversity; support Tasmanian Aboriginal culture and explore themes such as the City’s natural, built and cultural heritage.

Who can apply?
*         Curators
*         Groups of emerging or established artists working in any medium
*        Arts, craft and design organisations and exhibition touring agencies
*         Cultural development projects

For further information contact:
Sahn Cramer Visual Art Coordinator
Phone: (03) 6238 2845
Email: cramers@hobartcity.com.au

Closing date: Friday 21 April 2006

 

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The City of Perth PhotoMedia Award

The City of Perth PhotoMedia Award is held every two years and showcases the work of Australia’s foremost professional creative practitioners working in photographic media including photo-installation, analogue, digital and on-line or computer-based art.

Awards:      
$10,000 City of Perth Award for Excellence (acquisitive)
$2,000 Commendation Award (non-acquisitive)

Exhibition: 4 October - 5 November 2006.

For more information click here.

Closing date: 3 April 2006

 

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Jan van Eyck Academy – The Netherlands

Artists, designers and theoreticians are invited to submit proposals for individual or collective research projects for a one-year or two-year research period in the departments of Fine Art, Design and Theory.

Candidates are requested to submit proposals for research and/or production and to indicate the length of the desired research period (minimum 1 month, maximum 24 months). Candidates can apply for a one or two year period starting at the academic year on 1 January each year.

For further information click here.

Applications close: 15 April 2006

 

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Vermont Studio Centre International Residency Program

The Vermont Studio Centre offers 4 - 12 week independent studio Residencies year-round. All VSC Residents receive private studio space appropriate to their medium (open 24 hours a day), simple private rooms and excellent food. In addition to the opportunity for focused, independent work VSC Residents can interact informally with a large and varied community of professional peers as well as through open studio evenings, slide showings, and readings which allow those Residents who wish to share their work with one another.

For more information click here.

The Vermont Studio Centre accepts applications on a rolling basis, with the exception of Full Fellowship applications.

VSC Full Fellowship applications close: 15 June 2006

 

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The 2007 Anne & Gordon Samstag International Visual Arts Scholarships

Applications are invited for Samstag Scholarships, for study overseas in the visual arts from 2007.  Each 2007 scholarship includes, for twelve months of overseas study, a tax-exempt stipend equivalent to US$32,000 (United States dollars), plus return airfares and institutional fees for one academic year.   For application forms and detailed guidelines click here.

Applications close: 30 June 2006


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Tas Regional Arts Fund

The Regional Arts Fund is an Australian Government initiative supporting the arts in regional and remote Australia and delivered in Tasmania in partnership with Tasmanian Regional Arts.

Grant Categories :

CARS

Community Activities Regional Support - up to $2,000
Seed funding to facilitate partnership development between arts and other community organisations at the local level. The aim of CARS is to support the needs of organisations that are regionally disadvantaged.

SOAR

Skills Opportunities for Artists Regionally - up to $3,000
Funding to an artist or organisation for skills development activities.
The aim of SOAR is to increase arts skills, dialogue, employment & professionalism.

For application forms click here.

Closing Dates: 18 August 2006 (for projects commencing 1 January 2007)

 


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APBS Current public art commissions

Works on Walls, any 2D Media – Project A-338-01 – Queenstown

Artwork budget: $29, 000

The project will comprise a range of commissions and purchases of 2D works on walls; in reception areas, waiting areas, dining rooms, sitting rooms and day rooms. One commission will relate to the history of the West Coast District Hospital, another commission will relate to the history of the Gaiety Hall which has been recycled as part of the Hospital redevelopment. Purchases will include a number of smaller contemporary 2D works in a range of themes.

The closing date for submitting expressions of interest is 5pm Friday 24th March 2006.  The deadline for installation is September 2006.

Memorial Sculpture - Project No. B-19-05 - Hobart

Artwork budget:$10,000.00

On behalf of our Client, the Claudio Alcorso Foundation, we invite sculptors to register their interest in the above project. The Foundation is seeking to commission an outdoor artwork, in celebration of the life and achievements of Claudio Alcorso.

A full artists' brief will be forwarded to registered artists. Artists who have already registered their interest in the above project will be forwarded an artists package.  Registrations should be received no later than 5pm Wednesday the 5th April

To obtain a detailed brief for any of these projects please contact:

Shannon Challis
arts@work, 27 Tasma Street, North Hobart 7000.
Tel. 6233 5940, Fax. 6233 5941
Email. Shannon.Challis@artsatwork.com.au

Please note: These Public Art Commissions are offered under the Art for Public Building Scheme and are open to Tasmanian residents only.

 

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Flower Cut Film Festival 2006 - Call For Entries

Send in your three-to-nine-minute silent movies which may have been filmed on Super 8, 16mm, 35mm, SP Betacam or DVD.   This is the fourth annual Flower Cut Film Festival and the old-school concept of asking filmmakers for silent film and then getting musicians to provide live orchestrated music has garnered international attention.  There are no restrictions or limitations on the topic of your film, and they can be narrative or non-narrative. The selected films that will showcase at the festival, will be passed on to various bands to compose their own orchestrated music and accompany the films on 15 July 2006.  As a participating film maker you will of course be given a DVD of your film together with the original soundtrack, and be in the running for prizes up to $15,000.  For information on last year's filmmakers and musicians involved as well as plans and entry forms for the upcoming festival, go to http://www.flowercutfilms.com.  Send in your films by 5 May 2006. Preview copies should be submitted on DVD.

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Fleurieu Peninsula Art Prize – Call for Submissions

Established in 1998, the Fleurieu Peninsula Art Prize celebrates the enduring importance and the contemporary significance of landscape painting in the Australian art world. 

Prize Program:

1. The Fleurieu Peninsula Art Prize for Australian landscape painting $50,000 (acquisitive).

2. The Art of Food and Wine Prize for paintings with a food and/or wine industry theme $10,000 (acquisitive).

3. The Fleurieu Peninsula Vistas Prize for landscape paintings of the Fleurieu Peninsula region $10,000 (acquisitive).

4. The Fleurieu Peninsula Water Prize for painting with a water theme. $10,000 (acquisitive).

For further information and entry form click here.

Entries close: 31 July 2006.

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Women's Eye on Peace 2 Photography Exhibition - Call for Entries

The International Women's Development Agency (IWDA) invites women from across the globe to submit entries in 'Women's Eye on Peace 2', to be launched in Melbourne, Australia in October 2006.  You don't need to be a professional photographer and the images don't need to be picture-perfect. We want to find out how you see peace and which images resonate in your minds eye (and camera!).  All funds raised from the 2004 event funded an IWDA peace-building forum for Afghani women that were held in Islamabad in the beginning of this year.  The International Women's Development Agency is a non-profit organization that creates positive change for women and their communities.

All proceeds raised from will support IWDA's work with women working towards peace.For more information please click here.  

Submissions Close 31 July 2006

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24HR Art Call for Proposals 2007

24HR Art - the Northern Territory Centre for Contemporary Art, is currently seeking proposals from artists or curators interested in exhibiting work in 2007. Proposals should include a brief description of the proposed exhibition, CV(s) for the artists included and visual support material. Preferred support material is CD/DVD (Mac) and/or good quality photographs. Deadline is May 1 2006. For futher information click here or email us 24hrart@24hrart.org.au.

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